Tuesday, August 29, 2017

Damita Interview: On Music, Ministry, Faith & Overcoming Adversity



My interview with Gospel recording artist and ordained minister Damita who burst on the music scene in 2000 with her self-titled solo debut release via Atlantic Records followed by two more albums No Looking Back and Anticipation. After five years Damita is back to share new music, ministry and testament.


Terrance: Talk about your background and what it was like growing up in Detroit.


Damita: Well I’m a Preacher’s kid both my mom and dad were ministers so I have a religious background and music was very prominent in my home and in my life. Music was natural because both sides of my family were musical and growing up music was just a way of life and it wasn’t really something I considered doing professionally until I was maybe 16 or 17. Growing up I thought I would be an actress or a lawyer (laughs) but music became real serious for me when I became a teenager and so from there after I graduated out of High school I went on the road and started doing theater touring with plays where it was both music and acting at the same time and I just felt like that would be a great career for me. I had actually had a scholarship for Jackson State University but I turned it down because I chose music and it worked out for me, so that’s a little of my background. I mean Detroit is made up of all the Gospel stars as well as the Motown stars so I was able to be around that circuit and to be able to be around people like Commissioned, The Winans and I even toured a little with Aretha Franklin singing background for her, so growing up in Detroit had it’s benefits.


Terrance: You mention having musical family were there any outside influences?


Damita: Of course and I’m not just talking about Gospel but anyone who has grown up in the Church especially kids, I mean the more you try to keep us away from something that’s what we draw to so of course you couldn’t play R&B in your home but I had influences like Whitney Houston who was one of my favorite influences. Michael Jackson and of course The Clark Sisters, Vanessa Bell-Armstrong, The Winans and even Pop and Alternative music like Phil Collins, Hall & Oates. I was just a musical person, Country music like Dolly Parton and Kenny Rogers. I was into all styles except Heavy Metal (laughs) now that was my limit. Music was just in my bones.


Terrance: How did you get your first break in the music industry?

Damita: I had a female a capella group called Adoration ‘N Prayze and our first break was when we got discovered after singing at a birthday party. We didn’t realize who birthday party it was at first and later we found out it was a Gospel record label Exec. birthday party and he asked us if we would sign and that was our very, very first deal with “Time Is Running Out”. It was nominated for Stellar and Dove awards so that was my very first break in Gospel and the Gospel music industry.  


Terrance: Have you ever thought about recording any other musical genre besides Gospel?


Damita: Absolutely. Just a transition of who I am, my sound and even just my life experiences. Some of the songs on my solo stuff is really crossover. I have a song called, “No Looking Back”.


Terrance: I remember that one.


Damita: Yeah that was a crossover song. It was a huge song for me sonically and visually and on YouTube the numbers are still going up and that song was done organically. I don’t try to write Gospel music I just try to write songs that I feel would touch people and that are transparent about real life experiences of what we go through hoping that it would inspire somebody or touch them emotionally. If I had not had the mindset of being brought up in such a religious background at that time I probably would have done it a long time ago but because of my upbringing we were taught if you sing R&B you’re going to hell and that’s the devil music (laughs) but as time went on and as I got older to know God for myself I come to find out that not all R&B is damnable, not all R&B is horrible or of sexual content. You have amazing great songs that talk about love and life, breakups and talk about realistically real stuff so I plan on doing some music that may not necessarily be categorized as Gospel music. At this phase in my life I feel I’m at a point where I know the differences and I know my boundaries and just know better.


Terrance: Which leads to the question, how do you deal when you’re told what you can and can’t do as a gospel artist?

Damita: Well I’m older now (laughs). Back in the day it used to be like, oh you know be careful this, be careful that. I’m older now and I don’t let Churches dictate what I can and can’t do. I have to live my life according to what I believe. I think I’ve grown and become mature enough now to understand who God is for myself and stick by my boundaries and my morals and my standards and I suggest everyone else to do the same. I don’t judge people how they live their life and I hope people don’t judge how I live mine. I do believe in the Bible, I do believe in God, but I do believe he teaches those of us who really, really live our lives by the book then he’ll lead and guide us on what to do and let us know what our boundaries and perimeters are. So I don’t let other people affect what I do and what I wear. If you look on my social media I got on shorts, bikini, I don’t care what anybody say. God still loves me and people are still being blessed by my music. It’s so trivial now and honey I don’t let that bother me no more (laughs).

Terrance: Talk about the new music you’re working on and when can we expect it.

Damita: On next week as a matter of fact I’m beginning to work on a single. Right now I just want to put out some music for my fans, for my supporters and even to create a buzz for new people as well as putting together some videos so there are a couple singles dropping and I then plan on dropping a new project in 2018.

Terrance: What do you think need to happen for the youth to get more involved in Gospel today?

Damita: You know what? In order for the youth to become more involved and intrigued by Gospel music now is artists got to get back to being more exciting. Like you asked, I’m working on my music but the reason it’s taking so long is because I’m thinking live, I’m thinking visual. I came from the era where we believed in ministry and performing. I know a lot of Churches and religious people feel it don’t take all of that but I believe that when you’re bringing a tour in town and you’re asking people to pay money I believe you ought to give them their money’s worth. They can get Church for free on Sunday morning you know what I’m saying? We can get the hand clapping, foot stomping, rolling over the floor and speaking in tongues for free but when you’re asking people to pay $50 to $75 to $100, I believe you ought to have a production, you ought to have surprise guests and you ought to give the audience gift bags when they come in the door. It’s like right now Gospel music isn’t offering enough when it come to that side. I think we’re just concentrating on ministry and that thing has to have a balance. Give them a show. The white christian artists do it all the time. You had artists back in the day like Carman who packed out 30,000 seating stadiums by himself because he gave them character, he gave them props, he gave them a show and he gave them God so I believe that once black people realize that God isn’t intimidated by our creativity and artistry then you’re gonna get these young people. There’s no way you can compete with Nicki Minaj or Diddy and the Bad Boy tour if all you bring into town is a microphone, organ, keyboard and background singers. It's not going to work and I'm not even going (laughs).

Terrance: After the controversy that surrounded a former marriage from Gospel artist Deitrick Haddon what step did it take that led you to where you are today?

Damita: Man, well anyone who has been through a divorce know that it’s a horrible situation. All I can say is and I know this to be true is it took God. It took nothing but God to help me through that situation emotionally and psychologically. It was draining because I had lost not only my husband but my best friend because we’ve been together for over 20 years of our lives and that’s a long time to be with someone and it really took God. Things are different now it’s been 5 years. He’s moved on and is successful and I’ve successfully moved on and remarried and I believe we’ve been able to talk since then because you can’t hold onto stuff. I can’t judge him for what he did and how he chose to do things, at the end of the day we can come to the table and say at that time this is where we were in our minds and this is how we reacted to the pressures of what was going on at that moment. We’ve moved on and we wish each other the best and you never know what may happen in the future concerning music but it was nothing but God and for me in my heart it was not in me to lash out or to try to get a vengeance or show my side or show people what I thought was right. It was more for me like God just let me keep my mind, let me not lose it and act a fool and tear down everything I built up from telling people in the past about my music. How can I tell you what God gone bring you through and in the midst I’m not allowing God to bring me through? I just asked God to help me and make me a better person and that’s what he did.


Terrance: How would you best want your music and ministry to represent you as a Woman of God?


Damita: Man I want my music and ministry to represent me as just being real you know what I’m saying? I always try to come from a transparent place from my heart. A lot of ministers it’s almost like they pre-package their messages or pre-package what they are going to say and I’m all for that, but for me I find it more effective when it’s genuine and more organic and from the heart and then I find out someone is dealing with exactly what I’ve been dealing with. I always want whatever I do whether it be music or acting or speaking and motivating people I want it to come sincerely from the heart. I always want to be that person that stays relevant to where I’m not this big person and I’m too high and don’t know anything. I want to be right there, I ain’t left my people. Whenever I go home I still go to my old neighborhood, I go to my old street, my old house, I speak to my old neighbors and go to my old Church. I want to remain humbled because I realize I’m not the only person who got his blessing, I’m not the first and won’t be the last and so I try to maintain that so my ministry will remain effective and relevant to people and know that it’s not fake. It’s like the more God blesses me, the more I want to be reachable. Even at my Church I offer my services to serve and not for a paycheck but for free to show people that this is how I’m giving back to let them know I’m not too high and mighty. I want people to still respect me but I’m not looking for a special treatment. I just want my ministry to come from the heart and people say, oh she’s a real sister.

Terrance: In closing is there anything not discussed you would like to leave with the readers?

Damita: For the readers out there, go after your dreams. This is the season and time I call to take a leap of faith. You know a lot of people are scared to live their dreams and scared to fulfill the visions they have because they feel they don’t have enough support where you have people around who don’t believe in you, man believe in yourself. Believe in yourself so much to the point you’re willing to do it all by yourself.

Terrance: I can definitely attest to that.

Damita: Yes do it all by yourself. I don’t care if it starts off on a low budget level. Man, make that thing happen. There’s somebody out there waiting to see creativity so I say wake up from your dream and make it a reality right now. Not next month, not next year but right now and I’m encouraging everyone and all of your readers to take a leap of faith and live your dreams today.

Sunday, August 27, 2017

LeVert Interview: New Music | Resurgence of Male R&B Groups | Gerald Levert



My interview with co-founder Marc Gordon of the Legendary R&B trio LeVert who along with Gerald & Sean Levert brought the music world a string of #1 hits such as “Casanova”, “Just Coolin”, “(Pop, Pop, Pop, Pop) Goes My Mind” and “Baby I’m Ready” during the 80's and 90's. Now back with a new lineup and a new single “Commit”, the legacy of LeVert persists on...


Terrance: For those who may be unaware can you guys introduce how you got involved with LeVert?

Marc Gordon: Well I’m one of the original members and co-founder of LeVert.

Blaq Rose: I knew Marc through a mutual friend in Youngstown, Ohio and LeVert was originally from Cleveland so it’s about an hour away and I had already known Marc through previous years. My original group had came to Gerald but he couldn’t sign us because he had The Rude Boys and Men at Large so fast forward some years later me and Marc ended up in California and we would always see each other and exchange numbers and everything like that, so one day he told me to come up to his studio and I played him some songs I got placed on K-Ci & JoJo and other artists. He liked what I was doing but we never really did nothing but ironically some years later I saw Marc again in Cleveland, Ohio at a Birthday party and I went up to him, like wassup and how you doing? He didn’t realize who I was at first and then a few seconds later he realized and said he was looking for me and we went from there because Gerald had passed and Marc still wanted to keep it going and there was a member he wasn’t happy with or whatever and I went by the studio and everything clicked. I got on some records and wrote some records and Sean liked it and with his approval we did a dedication to Gerald and we actually recorded a song called "Dedication" to Gerald and then ironically a month or so into the record Sean ended up passing and that was really tough on us. So we went back in the studio just Marc and myself to help us get through it and finally Marc decided he wanted to get a third member and that’s when Parrice came in.

Parrice: Two or three days after I moved to Cali I was at my best friends house and he was like you got to be out here, this is where you need to be because I was on the fence if I wanted to stay there and I ended up meeting Blaq Rose at this venue for live bands and jam sessions. A lot of signed and unsigned bands would be there and I went in and sung and then Blaq Rose and his brother went in. He was down with Dr. Dre and Aftermath at the time and he went up on stage getting ready to sing "All the Things (Your Man Won't Do)" by Joe and I was like, is anybody going to sing background for him and help him out? He can't sing lead and do the background so I was like I'll go help him out so when I walked on stage he kinda looked to the left like what are you doing? I was like I got you, just go ahead and sing and were going back and forth and we ended up bringing the house down. We killed it and when we got off stage he was like man, where are you from? I was like man I'm from Lima, Ohio and he was like I'm from Youngstown. We got real close, traveling around the city, playing basketball together and then he moved back to Youngstown I guess to take care of his parents and be with his family. Like he said it was just him and Marc for a while and Marc said man we got to get another member and Blaq Rose said he knew somebody and this was like 15 years after me and Blaq met, so he hit me up and I was like alright and I sent him two or three of my songs and they heard it and couldn't get past the first verse. They were like get that dude on the plane and get him out here. We actually ended up doing a show that weekend in St. Louis and it was pretty dope and since then we've been rocking together.
Terrance: Awesome. So Marc, as an original member who’ve
been there since the beginning ‘til the untimely deaths of Gerald and Sean Levert, can you share a special memory or highlight with them collectively?

Marc Gordon: The Soul Train Music Awards was definitely a highlight because we were disappointed in the Grammy's and it was a blessing to be nominated but at one end we lost to a couple of artists I respect and I was looking at it like they weren’t really groups but Best Song by a duo. When it came down to the Soul Train Awards it was for us and by us and it celebrated black music so they awarded us for those accomplishments and it felt good to win amongst our peers and so it felt special to us than the other Awards.

Terrance: You and Gerald wrote and produced the bulk of LeVert’s classic catalogue, what was that dynamic like?

Marc Gordon: It was just like finding what our niche was and after so many times of being turned away we eventually found that niche and in the end we came together and it paid off.

Terrance: Because the chemistry was there?

Marc Gordon: Yeah the chemistry was just right and I think it’s because of being together for so long and so it was just special.


Terrance: LeVert’s breakout mainstream hit “Casanova” turned 30 this year how did that song come about?
Marc Gordon: “Casanova” came when we were on Atlantic Records and Sylvia Rhone pulled in the Calloway brothers for us to do a song or two and they wrote a lot of hits back in the day. They were members of Midnight Star and fellow Ohioans of course but they came with this song and we felt like it was what it was and it turned out to be that. It was probably one of the hardest songs that Gerald had to sing because as a producer you know what you want it to be and it’s one song he had to sing over and over and over and over just to get to where it got and it turned out to be a good thing.

Terrance: With the rise of biopics do you think it’s necessary for the LeVert story to be told?

Marc Gordon: Oh definitely and it will be told. And currently I’m pitching a book, it will be my story but of course it will include the LeVert story and some of those highlights that were on my plate that I feel need to be said. There’s a lot of similarities to all of these stories but I think everyone has it’s own unique twist and turn so this is another one.

Terrance: What was it like getting into the studio for the first time as the newly formed LeVert?

Blaq Rose: Well the newly formed LeVert like I said initially was Sean, myself and Marc and everything clicked when we got in the studio then and when we added Parrice we got into the studio and started clicking again so it was kinda like an Ohio connection because everybody is from Ohio.
Terrance: Talk about the creative process behind the latest single “Commit” and how it all came together.

Parrice: I wrote the song with my partner. The song is basically from a conversation I was having with a friend about a female that he liked and he didn't know how to tell her and I was like go ahead and let her know how you feel about her and basically that concept about him was on my mind. When the producer started playing the chords I kinda ran with it, working a bridge and an hour later the song was born. When we decided to start recording songs, Blaq asked to let him hear some of the records I had and I told him who I was holding that particular record for, he said that might be a good record for us and I was like really? So a week later me and Blaq started on the record and Marc later added his parts on there and we had us a new record and started building from there.

Terrance: What are your thoughts on R&B and where it stand today?

Blaq Rose: Well, I mean some of it is good but I just think it’s not as clever as it used to be. The emotional content is missing, it’s kinda lacking that.

Terrance: Is there a new album in the works or you guys working with singles only?

Marc Gordon: There’s a record in the works but we’re using singles to build anticipation for the album. We gotta warm them up to it.

Terrance: In the last few years we’ve seen the resurgence of male R&B groups from Troop, After 7, Jodeci, Silk, 112, Next to Pretty Ricky, what are your thoughts?

Parrice: I guess after being off for so long it’s time to work, get back on the road and make some new music.

Marc Gordon: And there’s a market for the older acts to still go out and do shows so the market is there it’s not like it’s lost or died off or anything.

Terrance: Are there any final words you would like to leave with the readers?

Marc Gordon: Well, continue supporting LeVert past and present and if they don’t know about what’s going on right now they can follow us on social media. Check us out, check out the single and don’t be afraid of a little change. This is 2017 you know what i’m saying? So don’t be afraid of a little differency.

Parrice: Yeah come into it with an opened mind. The concerts. The music. Everything.

Download the new LeVert single "Commit" HERE

Saturday, August 26, 2017

LeVert Interview: New Music | Resurgence of Male R&B Groups | Gerald Levert



My interview with co-founder Marc Gordon of the Legendary R&B trio LeVert who along with Gerald & Sean Levert brought the music world a string of #1 hits such as “Casanova”, “Just Coolin”, “(Pop, Pop, Pop, Pop) Goes My Mind” and “Baby I’m Ready” during the 80's and 90's. Now back with a new lineup and a new single “Commit”, the legacy of LeVert persists on...


Terrance: For those who may be unaware can you guys introduce how you got involved with LeVert?


Marc Gordon: Well I’m one of the original members and co-founder of LeVert.


Blaq Rose: I knew Marc through a mutual friend in Youngstown, Ohio and LeVert was originally from Cleveland so it’s about an hour away and I had already known Marc through previous years. My original group had came to Gerald but he couldn’t sign us because he had The Rude Boys and Men at Large so fast forward some years later me and Marc ended up in California and we would always see each other and exchange numbers and everything like that, so one day he told me to come up to his studio and I played him some songs I got placed on K-Ci & JoJo and other artists. He liked what I was doing but we never really did nothing but ironically some years later I saw Marc again in Cleveland, Ohio at a Birthday party and I went up to him, like wassup and how you doing? He didn’t realize who I was at first and then a few seconds later he realized and said he was looking for me and we went from there because Gerald had passed and Marc still wanted to keep it going and there was a member he wasn’t happy with or whatever and I went by the studio and everything clicked. I got on some records and wrote some records and Sean liked it and with his approval we did a dedication to Gerald and we actually recorded a song called "Dedication" to Gerald and then ironically a month or so into the record Sean ended up passing and that was really tough on us. So we went back in the studio just Marc and myself to help us get through it and finally Marc decided he wanted to get a third member and that’s when Parrice came in.


Parrice: Two or three days after I moved to Cali I was at my best friends house and he was like you got to be out here, this is where you need to be because I was on the fence if I wanted to stay there and I ended up meeting Blaq Rose at this venue for live bands and jam sessions. A lot of signed and unsigned bands would be there and I went in and sung and then Blaq Rose and his brother went in. He was down with Dr. Dre and Aftermath at the time and he went up on stage getting ready to sing "All the Things (Your Man Won't Do)" by Joe and I was like, is anybody going to sing background for him and help him out? He can't sing lead and do the background so I was like I'll go help him out so when I walked on stage he kinda looked to the left like what are you doing? I was like I got you, just go ahead and sing and were going back and forth and we ended up bringing the house down. We killed it and when we got off stage he was like man, where are you from? I was like man I'm from Lima, Ohio and he was like I'm from Youngstown. We got real close, traveling around the city, playing basketball together and then he moved back to Youngstown I guess to take care of his parents and be with his family. Like he said it was just him and Marc for a while and Marc said man we got to get another member and Blaq Rose said he knew somebody and this was like 15 years after me and Blaq met, so he hit me up and I was like alright and I sent him two or three of my songs and they heard it and couldn't get past the first verse. They were like get that dude on the plane and get him out here. We actually ended up doing a show that weekend in St. Louis and it was pretty dope and since then we've been rocking together.
Terrance: Awesome. So Marc, as an original member who’ve
been there since the beginning ‘til the untimely deaths of Gerald and Sean Levert, can you share a special memory or highlight with them collectively?


Marc Gordon: The Soul Train Music Awards was definitely a highlight because we were disappointed in the Grammy's and it was a blessing to be nominated but at one end we lost to a couple of artists I respect and I was looking at it like they weren’t really groups but Best Song by a duo. When it came down to the Soul Train Awards it was for us and by us and it celebrated black music so they awarded us for those accomplishments and it felt good to win amongst our peers and so it felt special to us than the other Awards.


Terrance: You and Gerald wrote and produced the bulk of LeVert’s classic catalogue, what was that dynamic like?


Marc Gordon: It was just like finding what our niche was and after so many times of being turned away we eventually found that niche and in the end we came together and it paid off.


Terrance: Because the chemistry was there?


Marc Gordon: Yeah the chemistry was just right and I think it’s because of being together for so long and so it was just special.



Terrance: LeVert’s breakout mainstream hit “Casanova” turned 30 this year how did that song come about?
Marc Gordon: “Casanova” came when we were on Atlantic Records and Sylvia Rhone pulled in the Calloway brothers for us to do a song or two and they wrote a lot of hits back in the day. They were members of Midnight Star and fellow Ohioans of course but they came with this song and we felt like it was what it was and it turned out to be that. It was probably one of the hardest songs that Gerald had to sing because as a producer you know what you want it to be and it’s one song he had to sing over and over and over and over just to get to where it got and it turned out to be a good thing.


Terrance: With the rise of biopics do you think it’s necessary for the LeVert story to be told?


Marc Gordon: Oh definitely and it will be told. And currently I’m pitching a book, it will be my story but of course it will include the LeVert story and some of those highlights that were on my plate that I feel need to be said. There’s a lot of similarities to all of these stories but I think everyone has it’s own unique twist and turn so this is another one.


Terrance: What was it like getting into the studio for the first time as the newly formed LeVert?


Blaq Rose: Well the newly formed LeVert like I said initially was Sean, myself and Marc and everything clicked when we got in the studio then and when we added Parrice we got into the studio and started clicking again so it was kinda like an Ohio connection because everybody is from Ohio.
Terrance: Talk about the creative process behind the latest single “Commit” and how it all came together.



Parrice: I wrote the song with my partner. The song is basically from a conversation I was having with a friend about a female that he liked and he didn't know how to tell her and I was like go ahead and let her know how you feel about her and basically that concept about him was on my mind. When the producer started playing the chords I kinda ran with it, working a bridge and an hour later the song was born. When we decided to start recording songs, Blaq asked to let him hear some of the records I had and I told him who I was holding that particular record for, he said that might be a good record for us and I was like really? So a week later me and Blaq started on the record and Marc later added his parts on there and we had us a new record and started building from there.


Terrance: What are your thoughts on R&B and where it stand today?


Blaq Rose: Well, I mean some of it is good but I just think it’s not as clever as it used to be. The emotional content is missing, it’s kinda lacking that.


Terrance: Is there a new album in the works or you guys working with singles only?


Marc Gordon: There’s a record in the works but we’re using singles to build anticipation for the album. We gotta warm them up to it.


Terrance: In the last few years we’ve seen the resurgence of male R&B groups from Troop, After 7, Jodeci, Silk, 112, Next to Pretty Ricky, what are your thoughts?


Parrice: I guess after being off for so long it’s time to work, get back on the road and make some new music.


Marc Gordon: And there’s a market for the older acts to still go out and do shows so the market is there it’s not like it’s lost or died off or anything.


Terrance: Are there any final words you would like to leave with the readers?


Marc Gordon: Well, continue supporting LeVert past and present and if they don’t know about what’s going on right now they can follow us on social media. Check us out, check out the single and don’t be afraid of a little change. This is 2017 you know what i’m saying? So don’t be afraid of a little differency.


Parrice: Yeah come into it with an opened mind. The concerts. The music. Everything.


Download the new LeVert single "Commit" HERE

Wednesday, August 23, 2017

RECAP: India.Arie serenades Roberta Flack!


Last night multi-Grammy award winner India.Arie serenaded the legendary Roberta Flack at the 2017 Black Girls Rock Awards. 

India performed Flack's 1972 international hit "The First Time Ever I Saw Your Face," which garnered her the Grammy for "Record "and "Song of the Year." 

India.Arie was then joined by Grammy nominee and actor Tyrese to perform "Where Is The Love." The song is one of Flack's timeless love songs she performed with the late Donnie Hathaway. They won a Grammy Award for "Best Pop Performance by a Duo or Group with Vocals." 
India.Arie released her new EP, SongVersation: Medicine, which is an extension of her 2013 release SongVersation, the eight song EP is India’s offering during these tumultuous times.
Watch: HERE

New Music: Sammie - "Too Long"


R&B singer Sammie drops the second single “Too Long” from his upcoming album Coming of Age. The smooth groove allows Sammie’s vocals to shine throughout.
There’s also a re-sung portion of R. Kelly’s 1995 hit “You Remind Me of Something”

On Coming of Age, Sammie collaborates with Rick Ross and Eric Bellinger, his first independent release which is scheduled for a September 15th release.

Listen: HERE

Monday, August 21, 2017

New Video: Eric Bellinger - "Be the Change"


Inspired by Nelson Mandela, the Compton-born Singer-Songwriter Pushes Love, Understanding, and Activism in Stripped-Down Acoustic Song; 

"Be the Change"





"No one is born hating another person because of the color of his skin, or his background, or his religion. People must learn to hate, and if they can learn to hate, they can be taught to Love, for Love comes more naturally to the human heart than its opposite." - Nelson Mandela from his autobiography, "Long Walk to Freedom" 1994

Standing by the words of Nelson Mandela, Eric Bellinger is sharing "Be The Change," refusing to be silent during current tumultuous times. "I felt I needed to share something given everything that has been going on in Charlottesville," says Bellinger. "Nelson Mandela's words are more relevant now than ever... Be the change!" In the new video, directed by Cam Fairfax, the singer/songwriter vows to make a difference, hoping to inspire others to join him in the movement.

Earlier this year, Eric Bellinger released Cannabliss, a 5-track EP and a declaration of love for the good plant. The project followed Eric B. For President: Term 1, and Term 2which featured appearances from Wale, Victoria Monet, Elhae, and Tayla Parx. Stay tuned for more from the Cali singer.

Watch "Be The Change": https://youtu.be/B2g3yMGmSCs
Listen to "Be The Change": https://soundcloud.com/ericbellinger/be-the-change
Purchase "Be The Change": https://itunes.apple.com/us/album/be-the-change-single/id1273418436?ls=1

Karyn White to Release New Album & Film 'Gale & The Storm'


R&B Legend Karyn White is back with new music!

From the motion picture soundtrack “Gale & The Storm” which also features Anthony AK King, Joe Leavy, Jay King, OWhitty and J.White.

The whole album flows like a classy, smooth set of soulful perfection and then takes off into some high power funk that Marvin Gaye, Al Green & James Brown would be so proud of.

Gale Storm was at the height of her career as lead singer of the world renowned band “Eclipse.” Julian, the band leader and Gale‘s long time lover decided to make what he called “relevant” changes to the group which sent Gale over the edge. As a result she walked away from the music industry.

7 years later while celebrating her girlfriend’s birthday, Gale is persuaded to sing one of group’s popular hit songs. Mesmerized by Gale’s magical voice, Hannibal Shabazz, who was once a successful music producer sets his eyes on working with Gale and tries to convince her to sing again. This feel good movie takes you on a journey of the heart. Where determination can lead you anywhere.

The soundtrack will be available September 4th via Karyn White Entertainment.

Gale And The Storm Teaser Trailer Feature Film