#IndieArtistSpotlight: Kendall Joyner - Interview

 Our next #IndieArtistSpotlight is a Baltimore, Maryland native, Kendall Joyner, who goes by the stage name Kendall Jay. With dreams of breaking into the music industry to become a successful artist, this triple threat is finding the balance of chasing his dream while pursuing an education. 'RnB Junkie Official' had the pleasure of interviewing Kendall Jay. We discussed his passion for music, being a triple threat, influences, new music, and more. Check out our interview with our #IndieArtistSpotlight Kendall Jay below. 

When did you first develop a passion for music and realized that it was something you wanted to pursue professionally?

Okay, so you know how you usually have some people who say that they have been singing since they were like four? I always knew that I could sing, but it became apparent to me like it was really something that I wanted to pursue when I was about twelve because my mother talked to me. She said, “you’re not doing anything with your gift. We know you can sing we're trying to pull it out of you, but you know the same way God gave you the talent he can take it away. You don’t want your talent go to waste!” So you know, I think it was around when I was twelve years old, and I knew. For those who aren’t familiar with you musically, how would you describe your sound? 

For those who aren’t familiar with you musically, how would you describe your sound? 

My sound I believe is a mixture of course of R&B, but as I said before, I listen to all genres of music. I love Country, Rock, everything Alternative, but of course, R&B is more at the forefront. So, I would describe it as smooth. Like a smooth sound of R&B and more urban than the music coming out now, as far as my music. It’s a lot of 8o8’s like heavy bass, kind of like that trap sound but more smooth. It’s not that talk/ rap type of thing, so yeah, it’s more of a smooth sound. 

You’re a triple threat! You sing, write, and act. Is it hard to balance all three? 

Yes, it is. It really is hard to balance all three, but it’s like when you’re passionate about something you just do it. That’s how I look at it, and I just try to stay on top of all of my gigs and look for more gigs at the same time. It’s hard though, but I just do it. 

Out of the three, does one come more natural? 

I think the one that comes more natural believe it or not would be the acting. Once I am in my element like as far as whatever opportunity that I have. Like the last one with TvOne, they asked me when I was on set, “did you go to school for this?” I’m like no, I just love to do it. So, yeah I think it would be acting.

You are from the DMV, where GoGo and Bmore Club music is prevalent. Do you incorporate these styles of music into your sound?

Definitely! I am so interested in doing a Baltimore Club music track. Like something of the “Dance My Pain Away.” Something similar to that, but more modern sound. Yeah, I am definitely down to make one of those tracks. Who are some of your musical influences? 

Who are some of your musical influences? 

Oh, you know the answer to this! [Laughs] I absolutely love, adore, completely inspired by since I was little Brandy! She is! Like, she just is. She’s pretty much the reason why I go so hard when it comes to as far as my motivation behind the music. I stay up all night listening to her live arrangements. I know them all by heart when I go to her shows. I know all of her leaked/ unreleased music, all of her albums everything. I’m sure you can relate too. It’s that serious, so everybody who knows me knows that Brandy is my favorite artist hands down.

You’ve had the opportunity to open for big artists such as Lil Uzi Vert. What was that experience like for you? 

It was amazing! We got to meet him backstage. Of course, he gave us that peep-talk to everyone that helped open up, telling us to keep going. One thing that really stuck with me when we talked to him he said, “everyone has a story, and your story is what helps you make it.” Like, I just went through something in April, and that story stuck with me, what he said, and I’m like wow this is going to be my testimony. This will be how I can help people when I make it. So, yeah it was amazing, and I think that’s the one thing I took from that opportunity.

Can you tell us a little about the new music your working on? 

The new music, as I said before about the situation that I went through April, the biggest thing I’ve done to get through it was to write. The track is called ‘Open Letter.’ It’s just basically me journaling everything I’ve been through, how my friends left me, just how I was treated and everything. It’s a really powerful record. I love it. I’ll actually send it to you after this. I’m working on about five other tracks, as well. I’m starting small.

As you know being in college money don’t be being right and I want it to be as professional as possible. I don’t want it to be something that’s… I’m going through ASCAP. I’m getting my publishing source through ASCAP. I want to do it the right way so that it can be on all streaming platforms. It’s definitely coming up. I just thank God because it didn’t seem like it was possible, but now it’s so clear. 

[Here’s a fun question...] If you could only listen to three albums for the rest of your life, what would they be and why? 

Okay, three albums… It would be… Hmm… Well, I don’t really have the urge to listen to anybody else… Like, if I could only listen to three albums for the rest of my life, it would definitely be three Brandy albums. Of course, it would be the first one ‘Brandy.' That’s a classic, the self-titled album. Then, hmm… It gets hard after this. (Oh, my god. Jesus. ‘Never Say Never’) Okay, it would be the self-titled album ‘Brandy,’ then it would be ‘Full Moon,’ and ‘Afrodisiac.’ It would be those three. ‘Brandy,’ that album is because I was introduced to Brandy during that album. I was born in 96’, but my mother played ‘Always On My Mind’ all of the time, ‘Best Friend,’ and ‘I Dedicate.’ Those [songs] were kind of where I was introduced. For the second one, ‘Full Moon’ that's just like her at the center of her evolving. Just the magic that was made with her, Rodney Jerkins, and  Lashawn Daniels. That whole sound was just magical, and people are trying to imitate it still to this day. ‘Afrodisiac’ because it’s just ‘Afrodisiac.’ [Laughs]. All the tracks on there ‘Finally’ and ‘Focus,’ like those songs they mean something really special. My bad, I don’t want to keep rambling, but that’s how I do.

How can you be reached on social media and where can your music be heard? 

On social media is Kendall Joyner. It’s just my name K-e-n-d-a-l-l-J-oy-n-e-r (@KendallJoyner). I have music on SoundCloud, as well as featured on about three to four songs on Apple Music and all streaming platforms. On YouTube, I have some videos up. One where I covered Russ' ‘Losin Control,’ that’s like my favorite video. Within the next four months I will have all my EPK done, (Electronic Press Kit) and everything, I will have music on all streaming platforms. I am really excited about that.

Thank you again for this interview.

Thank you. Thank you so much for having me and considering me. 

Jamar Jones Interview: Patti LaBelle’s signee discuss Debut Album “Fatherless Child”, Touring with Jill Scott & More!

Award-winning Composer, Producer & Pianist, Jamar Jones, who hails from Philadelphia has collaborated alongside some of the great superstar artists in the industry from Usher, Boyz II Men, Patti LaBelle, Robin Thicke, Angie Stone, Musiq Soulchild, Jill Scott to Vickie Winans, Bishop T.D. Jakes to name a few. More recently he received the 2018 ASCAP Award for Top Cable Television Series for The New Edition Story, serving as the underscore composer. I caught up with Jones for an exclusive interview to discuss his debut album, Fatherless Child, getting signed to Patti LaBelle’s imprint label GPE, touring with Jill Scott on her Live In the Moment Tour and much more...

HEAR “SEARCHING FOR ANSWERS” FEATURING R&B VET GLENN LEWIS BELOW:

TERRANCE: How did growing up in Philly shape you to who you are today as a musician?

JAMAR JONES: Philadelphia has an incredible music heritage, music legacy. Philadelphia is known for soul music and the fact that I grew up in a place with that kind of music heritage and legacy, that probably had a direct impact on everyone from the music of Gamble & Huff to the Gospel music and Jazz and so on and so forth. We do a little bit of everything there and so it definitely intrigued me I guess into being a well-rounded musician with a world view, but at the same time I’ve always had this thing I call “The Philly Edge”.

TERRANCE: After establishing yourself as a composer and producer for other artists for the past two decades, how does it feel having your own official project, Fatherless Child, out there?

JAMAR JONES: It’s an intense, exciting moment for me personally. Sometimes when you play for other people as you just mentioned, you hide behind what they do, but for the long time I wasn’t certain that my voice mattered and for me to now get to this point in my life when I become not just comfortable with my voice, the message and music that I have means something to people. It was meant to be made, so the only way I can really explain the feeling is it’s intense, but it’s an overwhelming sense of gratitude that I have at the moment and for those who have walked the journey with me and all of those that are going to join on this journey as I go forward.

TERRANCE: The project is on Ms. Patti LaBelle’s imprint label GPE Records. Can you share how you both linked up initially?

JAMAR JONES: Sure. Years ago, maybe about 15 years ago at this point I was asked to do a string arrangement for Patti LaBelle on a song for an album that she was preparing and not only that, but I was able to develop a relationship with her management team at the time and the rest is history. I’ve worked with her in several different venues over the years up to her most recent musical works which was producing Bel Hommage, her Jazz album that came out in 2017. That was her first record release in ten years, so I had that privilege and then we did a Christmas album and now we have this album and then we have some new music that we’re about to start working on too as well. Again, I said about 15 years but it may have been longer because it feels like she’s always been a part of my life. She’s like the mother of Philadelphia.

TERRANCE: Talk about how you came up with the title and was there a theme built upon as you were creating this project?

JAMAR JONES: The title came out of a personal experience that I had where I was just searching for some answers and definition in life and for me as a black man, one of the things we often don’t do is, sometimes we don’t go to therapy or those types of things. I ended up going to therapy and it was in a therapy session where I was led to realize, I never really, really dealt with the underlying emotion that I had from losing my father. Essentially after successfully going through the counseling sessions I decided that I wanted to really not only just have expression to talk about the emotion but really to help others and Fatherless Child is where the title came from. It started off with my life story at the age of 3 years old and then it takes you through a musical biography for me that leads you to where I am now as a man. A Fatherless Child who has become a father in life.

TERRANCE: What did each artist featured on Fatherless Child bring to the project you appreciated?

JAMAR JONES: Great question. Okay, let me talk about my childhood friend Vivian Green. That’s my homegirl man. We actually kind of grew up together and I’m kind of giving you a little backstory on her. The first song I ever co-produced and co-wrote was “Dear God” by Boyz II Men and she also co-wrote that with me, so of course there’s relationship. Viv brings to the project an innocence and of course her amazing vocal skills. She does “Blackbird” originally by The Beatles. It’s a really important lyric to me. Because she really knows me, I’m not a singer, I’m a musician and she actually sing it as if I could sing. That’s exactly how I would sing it. That’s what she brought. Another singer Glenn Lewis brought the passion of the lyric that Montell Jordan wrote on “Searching for Answers”, but he delivered it somewhat like Stevie Wonder. That’s the only way I would like to classify it. I could’ve got Stevie Wonder to do the song and we probably would’ve been having a different discussion, but I got something just as equal to Stevie and again Glenn added passion as if it was me. He took on the same passion as I had about the song. Patti LaBelle brings to the project of course an innocence and what’s unique about the song that she sings which is “Promise” which is written by Tracy Chapman is it’s very opposite of what we’re used to from her. We’re used to her kind of coming in and knocking out people and kicking shoes off (laughs), but “Promise” is really a part of the story where Ms. Pat brings an emotion where only a woman of her maturity could bring to a project like that. One other singer that I featured on the project is Elgin Johnson. He’s a very good friend of mine and I did a Seal remake called “Touch” and Elgin again, amazing vocalist and just like all of the other singers, he translated vocally what I was just trying to tell in my heart, in my spirit and in my mind and soul and you’re probably going to hear more from him in the future as we work on more music. So they all brought the same thing without even directly knowing each other which made this project so incredible.

TERRANCE: If there’s one song on the album that resonates with your current state of mind, what would it be and why?

JAMAR JONES: There’s an instrumental piece called, “Beauty for Ashes” and at the current state of mind, it’s just that life can be filled with ashes, you know? But you gotta take a look at whatever beauty God has given you in spite of those ashes. For me, the piano was given to me so that’s the beauty amongst the ashes. I have an amazing wife who is in the military Sergeant Alicia Jones and she’s the beauty for the ashes. I love her. I’ve been blessed with three incredible kids. So for every negative experience that I’ve gone through that’s definitely my current state of mind. I’m trying to recognize all of the beauty like the fact I get to be talking to Terrance right now from RnB Junkie, that’s the “Beauty for Ashes”, you know what I mean? That’s my state of mind.

TERRANCE: You’re currently on the road with Jill Scott for her Live in the Moment tour. Talk about the role you play in the show.

JAMAR JONES: With Jill, I’m in her band which I’ve been on and off for probably the last 12 or 13 years or so. I play keys primarily but when we talk about the ‘Live In the Moment’ tour we actually have all been given a very specific position inside of what she’s trying to do musically. I think my position comes somewhere between providing minstrelsy and therapy from the keys, so every night at the end of the show there’s about a five to seven minute space where I get to take the audience on whatever so journey I so choose and whatever I’m feeling in the moment and that kind of prepares her and prepares us for “He Loves Me”. It’s been an incredible experience because I think in that moment in some way I provide some type of therapy for people and a release. The response has been overwhelming, so much so that I’ve had hundreds of people wanting to meet with me after the show. It’s been an incredible experience and moment.

TERRANCE: What do you hope listeners take away from the Fatherless Child experience?

JAMAR JONES: I hope that they take away an enlightenment. I hope that they take away understanding I guess the power and nature of emotional expression. I hope that they take away the fact that we need piano’s and not prison for our children. I hope that it leads to people recognizing that even though we might not all have the same experience, we all experience the same emotion and if you were in an emotional prison then there is hope. You can go somewhere and get help. Those are my main takeaways from this one.

TERRANCE: Any final words you would like to share with the readers about yourself or your music?

JAMAR JONES: Well, something that people should know is that I have an incredible interest in sharing with those that were like me that didn’t have. I teach Music at University of Texas at Arlington, so I’m like a College Professor and at the same time I grew up in Church, so I’m still heavily involved in Church. In terms of the music itself, when you listen to the music, please listen to it with an open mind. Every song on there at some point in time I’m going to talk about I guess what it means and where it came from and really kind of tell the story of the music even as it evolves and how we evolve and how we grow. I think Fatherless Child represents the fact there’s a child in all of us that’s yearning and seeking expression.  

Fatherless Child is available on all physical and digital platforms where music is purchased.

Follow Jamar Jones:

www.jamarjones.org

Instagram & Twitter @jonesmaestro

Facebook @Keys2Philly